A Postcard from Famed Martha Graham Dancer Stuart Hodes on Choreographing for Naomi Haas Goldberg's Dances for a Variable Population
“America is about the Frontier,” said Margaret Atwood, author of The Handmaid’s Tale. Martha Graham spent her life extending the dance frontier, and after the dance world had absorbed her discoveries, it began begin venturing beyond, into hip-hop, street dancing, different body types, different ages, etc. Yet, we are far from a culture in which everyone dances and always will be unless the vision of Naomi Haas Goldberg and her DVP, Dances for a Variable Population, prevails.
Naomi showed up in my living room about a year ago, asked me to join her group. I explained that I no longer dance, except for 15 minutes of moves done daily to hold my peripheral neuropathy at bay. After seeing the moves, she had me lead her group, which became a dance titled, Balancing Act, performed in several of her venues, each time inducing audience members to rise up and dance with us.
Now I’m making a dance for her seniors, part of Naomi’s thrust into yet another frontier. The dancers are from her weekly class in the George Bruce Public Library on West 125th Street. I began by explaining that “a dance is an 'event,'” (Merce Cunningham’s word for some of his dances), and when you do it, both you and the watchers (Erick Hawkins’s word for audience) know something special is happening. “That’s what I hope we can achieve.” What followed is now titled In the Public Square.
To see In the Public Square attend: Open FREE Dress Rehearsal
June 14, 5:00PM, Grant’s Tomb, Manhattan
FREE Public Performances June 17, 5:00PM and 6:30 PM, Grant’s Tomb, Manhattan
June 24, 6:00PM, Abraham Lincoln Statue, Prospect Park, Brooklyn
An elderly couple, aided by canes, walk slowly upstage followed by a group. The pair take chairs, and the others proceed through a series of walks, gestures, circles, confrontations, do-si-dos, finally facing the first couple, who rise and join, then all exit together. A dance? I leave that to the watchers and also critics, if one should happen to attend.
What I do know is that I no longer separate dancers so completely from other people. Lincoln Kirstein, who declared that all the New York City Ballet dancers have “one body,” would not deem it a dance. Or would Martha Graham, maybe not even Bill T. Jones. Rehearsals were not like any other. People would drop out and return. One elderly man was never on the beat, yet radiated joy being there. Three women are young and bristling with energy, yet not out of place, any more than a family portrait with babies, teens, parents, and grandparents are out of place together. Will an audience of strangers accept In the Public Square? Haven’t a clue. I only know that in its making, I was transported beyond a personal dance frontier, and that was exhilarating.
In the Public Square is part of REVIVAL, a celebration and renewal of great 20th Century modern dance, developed with the legendary dancers who helped create it and interpreted and performed by those artists and groups of non-professional senior dancers
To see In the Public Square attend:
Open FREE Dress Rehearsal
June 14, 5:00PM, Grant’s Tomb, Manhattan
FREE Public Performances
June 17, 5:00PM and 6:30 PM, Grant’s Tomb, Manhattan
June 24, 6:00PM, Abraham Lincoln Statue, Prospect Park, Brooklyn
To learn more about Dances for a Variable Population, go to the organization's website.
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The Dance Enthusiast Encourages Artists, their Friends and Representatives to Share Stories and Create Conversation by Sending Postcards. Find more Postcards here.
- Read More and Enjoy A short video interview with Naomi Goldberg the founder/artistic director of Dances for a Variable Population here
- Read another beautifully written 2012 essay about flying and dancing by Stuart Hodes, a frequent Dance Enthusiast contributor. http://www.dance-enthusiast.com/features/view/Special-Dance-Enthusiast-Feature-MUSCLE-MEMORIES-The-Third-Installment-in-series-of-short-essays-by-Stuart-Hodes-2010-01-12
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