2025 Out-FRONT! Festival presents Kyle Marshall Choreography and Angie Pittman
Company:
2025 Out-FRONT! Festival
2025 Out-FRONT! Festival presents Kyle Marshall Choreography and Angie Pittman
Centering LGBTQ+ and feminist voices, the Out-FRONT! Festival features the work of artists exploring bold new performance modes for a lively exchange of art and culture.
Presented by Pioneers Go East Collective in partnership BAM (Brooklyn Academy of Music) and Judson Church, January 7-13, 2025.
Curators/Producers: Gian Marco Riccardo Lo Forte, Philip Treviño, Daniel Diaz. Producer and Outreach: Remi Harris. Cultural Organizer: Joyce Isabelle.
“The Out-FRONT! Festival is now in its third year and is here to stay! As a grassroots artist-driven collective, we create a high-visibility platform for dance and interdisciplinary artists whose rigorous, playful, and fabulously outrageous creative practices speak to our community in unexpected and beautiful ways.” -- Gian Marco Riccardo Lo Forte
Saturday, January 11, at 7pm
Split Bill:
Kyle Marshall Choreography
Joan (NYC Premiere)
&
Angie Pittman
Black Life Chord Changes
BAM Fisher Hillman Studio
Kyle Marshall’s Joan is a quartet celebrating power over tyranny, motivated by Julius Eastman’s bold score for 10 cellos, “The Holy Presence of Joan d’Arc.” The story of Joan, a young female warrior who is called by God to lead her army to victory against an occupying oppressor, is central to this dance. The French origins of this legend are reinterpreted to remember the history of the Maroons, Seminoles, and other communities of revolutionary people who fought for their freedom against slavery and colonial rule in the Americas. Flanking Joan are three soldiers symbolizing the spirits of her ancestors who guide and fight by her side. There is victory in the air and an eternal flame in their heart as these four figures defend their ground, elude the enemy, and fortify themselves in Eastman’s relentlessly fiery score. Performed by Justin Daniels, Taína Lyons, Kellye Smith, and Sydney Worthy. Eastman’s score is performed by Seth Parker Woods. Original lighting design by Serena Wong. Costume design, hair, and makeup by Edo Tastic. Joan is part of Kyle Marshall’s Julius Eastman trilogy.
Angie Pittman’s reprised evening-length solo performance (broken into scores for “day” and “night”) uses dance improvisation—skillfully pulling from and synthesizing, folk traditions of liturgical dancing, soul line dancing, Umfundalai, and postmodern improvisation—with layers of sung and spoken text, patient listening, and recorded sound to open an experimental, improvised movement portal. Through these visceral Black womanist traditions, Black Life Chord Changesslips in and out of deep listening, seeing, improvisation, and truth telling. Choreographed and performed by Angie Pittman. Composer: Cody Jensen. Lighting design by Tuçe Yasak. Recording artists: Tiffany Williams, Carla E. Jones, and Aaron (A+) Wilson. Arrangement: Ther’Up.Y. Lyricist: Angie Pittman.
The 2025 festival features performances by Miranda Brown + Noa Rui-Piin Weiss, Blaze Ferrer, Kyle Marshall Choreography, Stuart B Meyers, Angie Pittman, jill sigman/thinkdance, and Nattie Trogdon + Hollis Bartlett.
Out-FRONT 2025 will take place at BAM Fisher Hillman Studio (321 Ashland Place, Brooklyn, NY 11217) and Judson Church (55 Washington Square South, New York, NY 10012).
All festival events are free with a suggested donation of $25. Reservations are required and can be made online.
Photos L-R: Angie Pittman, photo by Brian Rogers, Kyle Marshall Choreography, photo by John Evans.
Share Your Audience Review. Your Words Are Valuable to Dance.
Are you going to see this show, or have you seen it? Share "your" review here on The Dance Enthusiast. Your words are valuable. They help artists, educate audiences, and support the dance field in general. There is no need to be a professional critic. Just click through to our Audience Review Section and you will have the option to write free-form, or answer our helpful Enthusiast Review Questionnaire, or if you feel creative, even write a haiku review. So join the conversation.